Male Peacocks as a Source of Ideas for Creating the Gandrung Liwung Dance

Deti Lindiana; Trianti Nugraheni

doi:10.17509/jddes.v5i1.82141

Male Peacocks as a Source of Ideas for Creating the Gandrung Liwung Dance

Deti Lindiana, Trianti Nugraheni

Abstract

Gandrung Liwung Dance was created as a new creative dance inspired by the behavior and beauty of the male peacock. This dance combines elegance and visual beauty displayed through dance movements and costumes that have new innovations resulting from the creativity of the dance creator. This study aims to identify the creative process of creating the Gandrung Liwung Dance inspired by the male peacock as a source of inspiration for new creative dance. The research method used is the descriptive qualitative approach analysis method. Data collection techniques through observation, interviews and documentation. Participants in this study were Riyana Rosilawati who is the choreographer or creator of the Gandrung Liwung Dance. The data collected were then analyzed through a preliminary study stage before the field research process and field data analysis. This study reveals an idea or concept in the process of creating the Gandrung Liwung Dance, starting with observing the behavior of the peacock and then developed to create a concept for creating works through the development of musical and artistic accompaniment consisting of make-up and costumes. Then, the process of forming the choreography is divided into three stages, namely exploration, improvisation, and composition and movement in. Gandrung Liwung Dance imitates the behavior of male peacocks. Overall, the new creative dance was created to convey the real behavior of male peacocks when they are about to be in heat. This research is implied as a new report in developing new creative dance creations for practitioners and dance art researchers.

Keywords

New Creative Dance, Gandrung Liwung Dance, Male Peacock

Full Text:

PDF

References

Alfaruqi, Muhammad, Rully Rochayati, and Silo Siswanto. 2023. “Struktur Dramatik Tari Wanka Di Sanggar Sastra Mataya Banyuasin.” Journal of Education, Humaniora and Social Sciences (JEHSS) 6 (1): 122–31. https://doi.org/10.34007/jehss.v6i1.1813.

Amelia, L. 2017. “Proses Kreatif Panji Gandrung Dalam Cerita Panji (Sebuah Tinjauan Deskriptif).” Jurnal Seni Makalangan 4 (2). https://doi.org/http://dx.doi.org/10.26742/mklng.v4i1.1092.

Amirulloh, Tifan Muhammad, Saian Badaruddin, Drama Dance, Music Arts Education, Dance Arts Education, and Design Education. 2024. “Aesthetics of Makeup and Costume Design in the Dance ’ Cisondari ’: Unveiling Local Cultural Identity.” JDDES : Journal of Dance and Dance Education Studies 4 (2): 63–81. https://doi.org/10.17509/jddes.v4i2.75801

Arum, Asri Puspitaning. 2014. “Tari Merak Bodas Karya Irawati Durban Ardjo Di Sanggar Pusbitari Bandung.” Universitas Pendidikan Indonesia. https://doi.org/http://repository.upi.edu/id/eprint/13246.

Asyari, P, D Mahzuni, and R M M Mulyadi. 2023. “Komodifikasi Tari Badaya Dalam Upacara Adat Mapag Panganten Sunda.” Joged 22 (2): 115–36.

Azman, Mohammad, Saian Badaruddin, and Suhariyoko. 2023. Tata Rias Dan Busana Pengantin Kota Lubuklinggau. Edisi Pert. Puntukrejo: CV Literakata Karya Indonesia.

Badaruddin, Saian. 2022. SILAMPARI Sebuah Identitas Dan Jati Diri.

Badaruddin, Saian, Defty Alsri, Muhammad Akbar, and Lazuardi Suherman. 2024. “Upacara Ritual Muang Jong Masyarakat Pesisir Suku Sawang Di Pulau Belitung The Muang Jong Ritual Ceremony of the Sawang Coastal Community on Belitung Island” 13:65–78. https://doi.org/10.24036/js.v13i3.130721.

Badaruddin, Saian, and Juju Masunah. 2019. “The Style of Silampari Dance of Lubuklinggau as a Greeting Dance in South Sumatera Indonesia” 255:65–69. https://doi.org/10.2991/icade-18.2019.14.

Caturwati, Endang. 2019. Tubuh, Media Dan Kreativitas. Bandung: Sunan Ambu Press.

Creswell, J. W. 2024. Research Design: Qualitative, Quantitative, and Mixed Methods Approaches. Sage Publications.

Dewi, Anggara Liza Made Ni, Made Siluh Astini, and Gede I Mawan. 2019. “Tari Kreasi Cangak Congak.” Insitut Seni Indonesia Denpasar.

Dwiyasmono, Dwiyasmono. 2013. “Analisis Estetis Tari Driasmara.” Greget 12 (2). https://doi.org/10.33153/grt.v12i2.505.

Hadi, Y S. 2014. Koreografi: Bentuk - Teknik - Isi. Dwi - Quantum.

Hardjana, Suka, Ben Pasaribu, Harry Rusli, Sapto Raharjo, Otto Sidartha, Toni Prabowo, Haryo Jose, and Marusya Nainggolan. 2016. “Minimax Sebagai Konsep Berkarya Slamet Abdul Sjukur Dalam Penciptaan Musik Kontemporer.” Ritme 2 (2): 29–39.

Hawkins, A M. 1991. Moving from Within: A New Method for Dance Making. Cappella Books.

Hidayat, Robby. 2005. “Wawasan Seni Tari.” Malang: Perpustakaan Nasional.

Hidayat, Venny Agustin. 2020. “Gerak Dan Rasa Dalam Tari Merak Jawa Barat.” DESKOVI : Art and Design Journal 3 (2): 104. https://doi.org/10.51804/deskovi.v3i2.804.

Indrayuda, and R Lestari. 2023. “Tari Ronggeng Sebagai Tontonan Hiburan Dalam Dinamika Masyarakat Simpang Tonang.” Jurnal Kata: Penelitian Tentang Ilmu Bahasa Dan Sastra 7 (2): 290–301. https://doi.org/10.22216/kata.v7i2.2294.

Kartiyani, Miraci. 2018. “Studi Komparatif Pada Kostum Tari Merak Karya Raden Tjetje Somantri Dan Karya Irawati Durban Ardjo Melalui Pendekatan Estetika.” ARTic 2:59–66. https://doi.org/10.34010/artic.2018.2.2523.59-66.

Karyati, Dewi, Agus Budiman, Heny Rohayani, and Ayo - Sunaryo. 2020. “Model Home Industri Seni : Studi Hasil Pelatihan Pembuatan Busana Tari Dalam Membantu Kemandirian Ekonomi Keluarga.” Journal of Education, Humaniora and Social Sciences (JEHSS) 3 (2): 682–92. https://doi.org/10.34007/jehss.v3i2.395.

Komala, Icuh. 2015. “Kompetensi Enoch Atmadibrata Pada Kesenian Jawa Barat.” Jurnal Ilmiah Seni & Budaya Pantun Vol. I No. 1. Bandung: Pascasarjana ISBI 01 (21): 16–33.

Kurniyawan, Andika Wahyu, and Usrek Tani Utina. 2019. “Makna Dan Fungsi Ricikan Pada Busana Wayang Wong Gaya Surakarta.” Jurnal Seni Tari 8 (2): 176–85. https://doi.org/10.15294/jst.v8i2.32477.

Marsan, Sekreningsih Nur, and Juliana Mia Siregar. 2021. “Menghidupkan Identitas Kepulauan Riau Melalui Seni Tari Tradisional.” Gondang: Jurnal Seni Dan Budaya 5 (1): 40–52. https://doi.org/https://doi.org/10.24114/gondang.v5i1.20964 Gondang:

Mulyani, Ai. 2014. “Kreativitas Irawati Durban Dalam Tari Sunda Gaya Tjetje Somantri.” Jurnal Ilmiah Seni Makalangan 1 (2): 135–52. https://doi.org/http://dx.doi.org/10.26742/mklng.v1i2.876.

Murniyati, Anida, and Agustina Ratri. 2023. “Metode Demonstrasi Dan Imitasi Pada Tari Golèk Ayun-Ayun Di Perkumpulan Tari Krida Beksa Wirama Yogyakarta The Implementation of Learning Method Toward New Creation Dance Ini Arum Sari Dance Studio Magelang.” IDEA:Jurnal Ilmiah Seni Pertunjukan 17 (1): 153–63.

Narawati, T. 2003. Wajah Tari Sunda Dari Masa Ke Masa. P4ST UPI.

Noviyana, Aris, and Ani Yuningsih. 2018. “Makna Citra Perempuan Sunda Dalam Seni Tari Jaipong Sunda.” In Prosiding Hubungan Masyarakat, 638–43. SpeSia: Seminar Penelitian Sivitas Akademia Unisba. https://doi.org/http://dx.doi.org/10.29313/.v0i0.4102.

Palmer, Clive, and David Torevell. 2020. “‘The Sweet Pain of Life’ - Dancing Metaphysical Longing: A Theological Reading of Matthew Bourne’s Swan Lake.” International Journal of Social Science Studies 8 (2): 63. https://doi.org/10.11114/ijsss.v8i2.4722.

Pramadanti, Triana, Trianti Nugraheni, and Ace Iwan Suryawan. 2021. “Cerita Panji Dalam Proses Penciptaan Tari Candra Kirana Karya Baedah.” Ringkang 1 (2): 78–85.

Putri, Anisa Cahya Kemala, Trianti Nugraheni, and Sri Dinar Munsan. 2023. “Makna Simbol Pada Koreografi Tari Kedokdok Kabupaten Ciamis.” Journal of Education, Humaniora and Social Sciences (JEHSS) 6 (1): 379–89. https://doi.org/10.34007/jehss.v6i1.1823.

Ramlan, Lalan. 2013. “Jaipongan: The Third Generation of Dance Genre in the Development of Sundanese Dance Performing Arts.” Resital: Jurnal Seni Pertunjukan 14 (1): 41–55.

Rifayani, Nur Asri. 2018. “Tari Merak Sajodo Karya R. Yuyun Kusumadinata.” Universitas Pendidikan Indonesia.

Rohayani, Sekarningsih dan. 2006. Buku Panduan Guru Seni Tari. Direktorat Pembinaan Sekolah Menengah Kejuruan. Vol. 1. Pusat Perbukuan Badan Standar, Kurikulum, dan Asesmen Pendidikan.

Rohendi Rohidi, Tjetjep. 2017. “Kesenian Tradisional ‘Nusantara’ Bahasan Tentang Pelestarian Dan Pengembangan Untuk Indonesia Maju.” In Prosiding Seminar Nasional Prosiding Sendratasik Muhammadiyah Festival. Semarang: Universitas Muhammadiyah Tasikmalaya.

Rosilawati, Riyana. 2020. “Upacara Mapag Panganten Adat Sunda Dalam Konteks Pariwisata.” In E-Prosiding Pascasarjana ISBI Bandung, 45–60. ISBI Bandung.

Rosilawati, Riyana, and Ai Mulyani. 2021. “Spirit Muhamad Aim Salim Dalam Pembinaan Dan Penciptaan Tari Prawesti.” Panggung 31 (1): 93–105. https://doi.org/10.26742/panggung.v31i1.1536.

Rosilawati, Riyana, and Ocoh Suherti. 2022. “Kreativitas Muhamad Aim Salim Dalam Penataan Tari Badaya Gaya Setia Luyu.” Panggung 32 (1): 30–46. https://doi.org/10.26742/panggung.v32i1.1985.

Rosilawati, Riyana, and Lili Suparli. 2023. “Tari ‘Titi Surya.’” In Prosiding Penelitian Dan PKM ISBI Bandung. ISBI Bandung.

Rosilawati, Riyana, Lili Suparli, and Ocoh Suherti. 2023. “Relevansi Ide, Konsep Dan Bentuk Dalam Proses Kreatif Karya Tari ‘Gandrung Liwung’ Inspirasi Merak.” Panggung 33 (1): 41.

Sena, Puspa, Dwi Septi Oktarina, Islamu Dinawati, Jurusan Pendidikan, and Seni Pertunjukan. 2024. “Konsep Ruang Tari Sambut Hemba Ponga.” Journal of Transformation of Mandalika 5 (5).

Soedarsono, Djoko Soekiman, and Retna Astuti. 1985. Gamelan, Drama Tari, Dan Komedi Jawa. Direktorat Jenderal Kebudayaan.

Sunaryo, A. 2020. Dasar-Dasar Koreografi. UPI Press.

Sunaryo, Ayo. 2020. Dasar-Dasar Koreografi. Edisi Pert. Bandung: UPI Press.

Taryana, Tatang, Agus Budiman, and Dewi Karyati. 2022. “Pendidikan & Manajemen Sanggar Tari Tradisional.” Journal of Education, Humaniora and Social Sciences (JEHSS) 5 (2): 1457–69. https://doi.org/10.34007/jehss.v5i2.1455.

DOI: https://doi.org/10.17509/jddes.v5i1.82141

Refbacks

There are currently no refbacks.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

E-ISSN 2776-5326 | P-ISSN 2797-8990

Address:

Program Studi Pendidikan Seni Tari, Fakultas Pendidikan Seni Dan Desain, Universitas Pendidikan Indonesia. Gedung FPSD - Jl. Dr. Setiabudi No.229, Isola, Kec. Sukasari, Kota Bandung, Jawa Barat 40154, Bandung, Provinsi Jawa Barat. (022)200-9198.

JDDES is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License