Analysis of Historical Values and Family Dynamics Amidst the 1998 Riots in The Movie “Di Balik 98”

Melsya Firtikasari, Syalma Fitri Nur Rahim

Abstract


The 1998 riots were one of Indonesia's darkest events at the end of the New Order era, the reign of President Soerharto. These riots were caused by the multidimensional crisis around 1997-1998 which culminated in the May 1998 tragedy. The movie "Di Balik 98" dared to raise this riot as the background of a family drama-themed movie. The purpose of this research is to analyze the historical value and family dynamics contained in the film "Di Balik 98". This research uses a qualitative method with a semiotic approach which is described through 3 aspects namely sign, object, and interpretant. The results of this study show that the film "Di Balik 98" is successful in depicting history, this is evidenced by the analysis of the depiction of the Trisakti Tragedy, looting, arson, and ethnic Chinese discrimination. Soeharto's resignation is the culmination of the movie and the answer to the tragedy that occurred. Giving 3 points of view in the movie successfully gave the audience how the depiction of 3 families with their respective dynamics went through the 1998 tragedy. The implications of this research include an indepth understanding of Indonesian history, family dynamics in facing socio-political crises, as well as reflections on social change and its impact on people's daily lives.


Keywords


Di Balik 98; Film Semiotics; Tragedy 98.

Full Text:

PDF

References


Akhmad Muawal Hasan. (1998, April 12). Tragedi Trisakti dan Keadilan yang Tak Kunjung Tiba. Https://Tirto.Id/Tragedi-Trisakti-Dan-Keadilan-Yang-Tak-Kunjung-Tiba-CoAk.

Akkerman, R., & Plebuch, T. (2014). Film music as a guide in complex temporal narratives [Thesis]. University of Uppsala.

Anggraini, L. I. (2019). NILAI-NILAI ISLAM DALAM SERIAL ANIMASI NUSSA Analisis Narasi Tzvetan Todorov. IAIN Purwokerto.

Asri, R. (2020). Membaca Film Sebagai Sebuah Teks: Analisis Isi Film"Nanti Kita Cerita Tentang Hari Ini (NKCTHI)". Jurnal Al-Azhar Indonesia Seri Ilmu Sosial, 1(2).

Bianpoen, C., Buntaran, N., & Yentriyani, A. (1998). Temuan TIm Gabungan Pencari Fakta Peristiwa Kerusuhan Mei 1998.

Bondebjerg, I. (2014a). Documentary and cognitive theory: Narrative, emotion and memory. Media and Communication, 2(1), 13–22. https://doi.org/10.17645/mac.v2i1.17

Bondebjerg, I. (2014b). Documentary and cognitive theory: Narrative, emotion and memory. Media and Communication, 2(1), 13–22. https://doi.org/10.17645/mac.v2i1.17

Bordwell, D. (1997). On the History of Film Style. Harvard University Press. https://books.google.co.id/books?id=DezHd2nJLScC

Boyko, T. (2017). Reading uspenskij: Soviet ‘semiotics of history’ in the west. Sign Systems Studies, 45(3–4), 380–394. https://doi.org/10.12697/SSS.2017.45.3-4.10

Brown, B. (2012). Cinematography Theory and Practice (second edi). Elsevier Inc.

Caquard, S., & Cartwright, W. (2014). Narrative cartography: From mapping stories to the narrative of maps and mapping. Cartographic Journal, 51(2), 101–106. https://doi.org/10.1179/0008704114Z.000000000130

Chapman, J. (2017a). Film and History. Bloomsbury Publishing. https://books.google.co.id/books?id=7CRHEAAAQBAJ

Chapman, J. (2017b). Film and History. Bloomsbury Publishing. https://books.google.co.id/books?id=7CRHEAAAQBAJ

Creswell. (1998). Qualitative Inquiry: Choosing Among Five Traditions. SAGE Publications Inc.

Creswell, J. W. (1994). Research Design: Qualitative and Quantitative Approach (4th ed.). Sage Publication.

Creswell, J. W. (2012). Educational research: Planning, conducting, and evaluating quantitative and qualitative research (4th ed.). Oearson.

de Valck, M., Kredell, B., & Loist, S. (2016). Film Festivals: History, Theory, Method, Praxis (Issue February). Routledge.

DiCicco-Bloom, B., & Crabtree, B. F. (2006). The qualitative research interview. Medical Education, 40(4), 314–321. https://doi.org/10.1111/j.1365-2929.2006.02418.x

Elsaesser, T., & Hagener, M. (2015). Film Theory: An Introduction through the Senses. Taylor & Francis. https://books.google.co.id/books?id=hs4qBwAAQBAJ

Guynn, W. (2013). Writing History in Film. Taylor & Francis. https://books.google.co.id/books?id=OMIv0TujQkgC

Halimah Tusaddiah Rambe1, Syahrul Abidin2, A. (2018). Analisis Semiotika Film Negeri di Bawah Kabut Semiotics Analysis of film The Land Beneath The Fog. Jurnal Pembelajaran Dan Pengembangan Diri, 647–660.

Kerrigan, S. (2016). The spectator in the film-maker: re-framing filmology through creative film-making practices. Journal of Media Practice, 17(2–3), 186–198. https://doi.org/10.1080/14682753.2016.1248172

Maxwell, J. A. (2008). Designing a qualitative study (Vol. 2). The SAGE handbook of applied social research methods.

Peirce, C. S., & Hoopes, J. (1991). Peirce on Signs: Writings on Semiotic. University of North Carolina Press. https://books.google.co.id/books?id=OgRazXzttrwC

Seers, K. (2012). Qualitative data analysis. In Evidence-Based Nursing (Vol. 15, Issue 1, p. 2). https://doi.org/10.1136/ebnurs.2011.100352

Steven J, T., Bogdan, R., & DeVault, M. L. (2016). Introduction to Qualitative Research Method (Fourth Edi). Wiley.

Suherdiana, D. (2015). Konsep Dasar Semiotika dalam Komunikasi Massa menurut Charles Sanders Pierce. Jurnal Ilmu Dakwah, 4(12), 371. https://doi.org/10.15575/jid.v4i12.399

Supiarza, H. (2022). Short Dance Film: Construction of the Arts and Design Project Subject during COVID-19 Pandemic. HUMANIORA, 13(2).

Todorov, T., & Weinstein, A. (1969). Structural Analysis of Narrative. NOVEL: A Forum on Fiction, 3(1), 70–76. https://doi.org/10.2307/1345003

Turner, B. (2005). Acoustic Ambience in Cinematography: An Exploration of the Descriptive and Emotive Impact of the Aural Environment [Thesis]. University ofKwaZulu-Natal, Durban,.

Yuniar, N. (2015, January 7). Lukman Sardi: “Di Balik 98” adalah film drama keluarga. Antara.

Zamili, M. (2015). Menghindar Dari Bias: Praktik Triangulasi dan Kesahihan. Jurnal Lisan Al-Hal, 7(2), 283–304.




DOI: https://doi.org/10.17509/ftv-upi.v4i3.69990

Copyright (c) 2025 Universitas Pendidikan Indonesia

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

P-ISSN 2797-7099
E-ISSN 2797-9903

 

Address:

Program Studi Film Dan Televisi, Fakultas Pendidikan Seni Dan Desain, Universitas Pendidikan Indonesia. Gedung FPSD - Jl. Dr. Setiabudi No.229, Isola, Kec. Sukasari, Kota Bandung, Jawa Barat 40154, Bandung, Provinsi Jawa Barat. (022)200-9198. ftv_fpsd@upi.edu

Creative Commons License

Cinematology: Journal Antology of film and television studies is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License