The role of trumpet musical aesthetics in Movement II of Bandung marching band: An analysis in “Bandung 1946”
Abstract
This study examines the influence of trumpet musical aesthetics in Movement II of the Bandung Marching Band "Bandung 1946," emphasizing the deep correlation between visual and auditory components, historical backdrop, and cultural importance. The focus of this inquiry is the trumpet's capacity to augment a performance's impact through its visual presentation, ornamentation, and symbolic associations with tenacity and defiance, which are rooted in Indonesia's war for independence. The significance of this research is in comprehending how the trumpet's musical aesthetics enhance the total experience and emotional impact of the performance, guaranteeing that the legacy of "Bandung 1946" persists in inspiring and captivating audiences. A descriptive qualitative method was utilized to analyze this musical work's intricate and culturally rich nature. This method entails methodically gathering, arranging, and explaining data while capturing descriptive information through verbal or written language and observable behaviours. The research methodology employed observations and document analysis to collect extensive data on the trumpet's aesthetic and cultural importance. The findings demonstrate that the trumpet's precise synchronization with the music's rhythm and dynamics, strategic embellishments, and historical and cultural symbolism greatly enhance the performance. The combination of visual and audio elements in this synthesis results in a compelling and captivating experience that pays tribute to Indonesia's heritage and enhances its cultural narrative. The descriptive qualitative method successfully captured the intricate and subtle role of the trumpet, showcasing its significance in attaining a powerful and meaningful performance. This study emphasizes the crucial significance of musical aesthetics in establishing a connection between audiences and cultural and historical narratives through performance.
Keywords
Full Text:
PDFReferences
Abbate, C. (2004). Music—drastic or gnostic?. Critical inquiry, 30(3), 505-536.
Alperson, P. (2008). The instrumentality of music. The Journal of Aesthetics and Art Criticism, 66(1), 37-51.
Andrijauskas, A. (2016). Visual Arts and Music in Traditional Chinese Art System. Music in Art, 41(1-2), 165-187.
Arika, N. (2015). Perbedaan Kecerdasan Emosional Remaja yang Mengikuti Marching Band dengan yang Tidak Mengikuti.
Cabon, S., Porée, F., Simon, A., Rosec, O., Pladys, P., & Carrault, G. (2019). Video and audio processing in paediatrics: A review. Physiological measurement, 40(2), 02TR02.
Dalyono, 2012, Psikologi Pendidikan, Bandung : Rineka Cipta.
del Carmen Torres-Sibille, A., Cloquell-Ballester, V. A., Cloquell-Ballester, V. A., & Ramirez, M. Á. A. (2009). Aesthetic impact assessment of solar power plants: An objective and a subjective approach. Renewable and Sustainable Energy Reviews, 13(5), 986-999.
Downes, S. (Ed.). (2014). Estetika Musik: Perspektif Musikologis . Routledge.
Duncan Herrington, J., & Capella, L. M. (1994). Practical applications of music in service settings. Journal of Services Marketing, 8(3), 50-65.
Fletcher, N. H., & Tarnopolsky, A. (1999). Blowing pressure, power, and spectrum in trumpet playing. The Journal of the Acoustical Society of America, 105(2), 874-881.
Foster, C. (1998). The narrative and the ambient in environmental aesthetics. The Journal of Aesthetics and Art Criticism, 56(2), 127-137.
Fu'adi, F. (2015). Mengenal Lebih Dekat Musik Orkestra. Harmonia Journal of Arts Research and Education, 9(2), 63263.
Glass, G. V., & Hopkins, K. D. (1984). Statistical Methods in Education and Psychology. (2nd ed.). Prentice-Hall.
Goldman, A. H. (1990). Interpreting art and literature. The journal of aesthetics and art criticism, 48(3), 205-214.
Gumilar, T., & Putri, A. Z. (2023). Analyzing aesthetics in the song" Golden Hour" by JVKE: A theoretical exploration. Interlude: Indonesian Journal of Music Research, Development, and Technology, 2(2), 102-114.
Herfanda, F. R. (2014). Bentuk Pertunjukan Musik Perkusi Paguyuban Sayung Hore (PSH) di Semarang. Jurnal Seni Musik, 3(1).
Herzog, P. (1995). Music criticism and musical meaning. The Journal of Aesthetics and Art Criticism, 53(3), 299-312.
Ih, J. G., Lim, D. H., Shin, S. H., & Park, Y. (2003). Experimental design and assessment of product sound quality: application to a vacuum cleaner. Noise control engineering journal, 51(4), 244-252.
Jakubowski, K., Farrugia, N., Halpern, A. R., Sankarpandi, S. K., & Stewart, L. (2015). The speed of our mental soundtracks: Tracking the tempo of involuntary musical imagery in everyday life. Memory & Cognition, 43, 1229-1242.
Juslin, P. N. (1997). Emotional communication in music performance: A functionalist perspective and some data. Music perception, 14(4), 383-418.
Karyono, T. (2014). Korelat Empat Lembaga Kebenaran Manusia: Filsafat, Seni, Ilmu, dan Agama. Jurnal Budaya Nusantara, 1(2), 136-140.
Krumhansl, C. L. (2000). Rhythm and pitch in music cognition. Psychological bulletin, 126(1), 159.
Large, E. W. (2008). Resonating to musical rhythm: theory and experiment. The psychology of time, 189-231.
Lee, W. L. (2006). On ecology and aesthetic experience: A feminist theory of value and praxis. Ethics and the Environment, 21-41.
Lothian, A. (1999). Landscape and the philosophy of aesthetics: is landscape quality inherent in the landscape or in the eye of the beholder?. Landscape and urban planning, 44(4), 177-198.
Luce, D., & Clark, M. (1967). Physical Correlates of Brass‐Instrument Tones. The Journal of the Acoustical Society of America, 42(6), 1232-1243.
Luesutthiviboon, S., Malgoezar, A. M., Merino-Martinez, R., Snellen, M., Sijtsma, P., & Simons, D. G. (2019). Enhanced HR-CLEAN-SC for resolving multiple closely spaced sound sources. International Journal of Aeroacoustics, 18(4-5), 392-413.
McAdams, S. (1987). Music: A science of the mind?. Contemporary Music Review, 2(1), 1-61.
Moleong, Lexy J. 1995. Metodologi Penelitian Kualitatif. Bandung: PT. Remaja Rosdakarya.
Mohajan, H. K. (2018). Qualitative research methodology in social sciences and related subjects. Journal of economic development, environment and people, 7(1), 23-48.
Moser, A., & Korstjens, I. (2018). Series: Practical guidance to qualitative research. Part 3: Sampling, data collection and analysis. European journal of general practice, 24(1), 9-18.
Nieminen, S., Istók, E., Brattico, E., & Tervaniemi, M. (2012). The development of the aesthetic experience of music: Preference, emotions, and beauty. Musicae Scientiae, 16(3), 372-391.
Paris, P. (2019). Moral beauty and education. Journal of Moral Education, 48(4), 395-411.
Polkinghorne, D. E. (2005). Language and meaning: Data collection in qualitative research. Journal of counseling psychology, 52(2), 137.
Rhode, A., Westdorp, C., & Berry, D. C. (2017). The prevalence, risk, and rate of musculoskeletal injuries and sudden illnesses in marching band and color guard members: A systematic review. Journal of Athletic Training, 52(6), S152.
Sasmita, M. B. A., & Dermawan, T. (2021). Demitefikasi Tokoh Rahwana dalam Kumpulan Puisi Kemelut Cinta Rahwana Karya Djoko Saryono: Tinjauan Estetika Resepsi. JoLLA: Journal of Language, Literature, and Arts, 1(7), 943-957.
Sisti, A., Aryan, N., & Sadeghi, P. (2021). What is beauty?. Aesthetic Plastic Surgery, 45(5), 2163-2176.
Surajiyo, S. (2015). Keindahan Seni Dalam Perspektif Filsafat. Jurnal Desain, 2(03), 157-168.
Sunarto, S. (2016). Estetika Musik: Autonomis versus Heteronomis dan Konteks Sejarah Musik. PROMUSIKA, 4(2), 102-116.
Synnott, A. (1989). Truth and goodness, mirrors and masks--Part I: A sociology of beauty and the face. The British Journal of Sociology, 40(4), 607-636.
Vaismoradi, M., Turunen, H., & Bondas, T. (2013). Content analysis and thematic analysis: Implications for conducting a qualitative descriptive study. Nursing & health sciences, 15(3), 398-405.
Widhiatmoko, A. R., & Al Ayuni, K. L. (2022). Analyzing aesthetic values in Stella Jang’s ‘Villain’lyrics. Interlude: Indonesian Journal of Music Research, Development, and Technology, 2(1), 1-9.
Wright, P., Wallace, J., & McCarthy, J. (2008). Aesthetics and experience-centered design. ACM Transactions on Computer-Human Interaction (TOCHI), 15(4), 1-21.
Zicari, M., MacRitchie, J., Ghirlanda, L., Vanchieri, A., Montorfano, D., Barbato, M. C., & Soldini, E. (2013). Trumpet mouthpiece manufacturing and tone quality. The Journal of the Acoustical Society of America, 134(5), 3872-3886.
DOI: https://doi.org/10.17509/interlude.v3i1.71190
Copyright (c) 2023 Universitas Pendidikan Indonesia
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.